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“To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.” — Elliott Erwitt
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So, after losing my favorite camera, I reluctantly tried some expired AgfaColor film from 2001. Surprisingly, the results were better than expected—though still imperfect, they gave me some cool photos. Guess old film can have its charm after all!
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In Berlin, my trusty Fujifilm GA645Zi faced its decline after COVID kept me locked up. This quirky medium format point-and-shoot produced great images despite its flaws. After a decade of adventures, it finally gave up, leaving me nostalgic but ready for new gear.
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The Voigtländer 15mm Super Wide-Heliar f/4.5 LTM lens delivers a unique perspective, ideal for architectural photography but challenging for casual use. Its compact design and impressive optics invite experimentation, though it requires careful composition to avoid bland images.
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After twelve years since my first visit to Stockholm, I reflect on my growth as a photographer. With improved equipment and editing practices, I now favor natural images over HDR. My curiosity and empathy have deepened, influencing my approach to capturing life’s moments.
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The author reflects on the Canon 28mm f/2.8 lens, which offers a balance of quality and affordability despite its imperfections. It produces unique, character-filled images rather than sharp, clinical photographs, making it a delightful addition to both vintage and modern setups.
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This narrative explores the challenging yet captivating realm of color film photography, highlighting both the technical pitfalls and personal mistakes involved. Despite frustrations and failures, such experiences ultimately contribute to the unique charm and unpredictability of the medium, fostering a resilient passion.
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Some cameras impress immediately with their specifications. Others earn their reputation through rarity, luxury or eye-watering prices on the second-hand market. The Canon Sure Shot Classic 120 does none of those things, and that’s exactly why it has become one of my favourite film point-and-shoot cameras. On paper, there’s nothing particularly extraordinary here. The 38-120mm…
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The author reflects on a photography experience in Shanghai that began with excitement over a new lens and ended in disappointment due to poor film choice. Unexpectedly, the flawed images took on a unique artistic quality, highlighting photography’s unpredictable nature.
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The author reflects on their experience with a 1963 Leica M2, exploring its craftsmanship and simplicity. While the camera doesn’t inherently improve photography skills, it enhances the joy and engagement in the photographic process, making each moment feel special.
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The Nikon AF-S Nikkor 28-300mm lens embodies versatility for photographers, offering a wide focal range ideal for various scenarios. While it may compromise on image quality and autofocus speed, its practicality ensures minimal missed photographic opportunities, especially during travels.
Mark McMahon 